The short version
- An orange and pink gradient blends neighbouring warm hues such as tangerine #f97316, coral #fb7185 and pink #ec4899, so the transition stays bright without a bridge colour.
- The pair is so closely associated with sunsets that a plain diagonal from orange to pink reads as a preset, and changing the ground or the lightness avoids that.
- Bright orange and hot pink are both too light for small white text, while a deep rust or burnt brown ink reads well on the softer versions.
- Earthy versions using terracotta and dusty rose feel calm and grown up, and dark versions with ember and raspberry feel warm and nocturnal.
- Orange and pink suit food, drink, beauty, summer campaigns, travel and any brand that wants to feel warm and welcoming.
On this page
An orange and pink gradient blends two warm neighbours: tangerine like #f97316 or peach like #fed7aa on one side, pink like #ec4899 or blush like #fda4af on the other, usually with coral in between. Because the hues sit side by side, the blend never turns muddy. What it can turn is predictable, because the combination is shorthand for sunset. The codes below are grouped by mood, from soft peach to dark ember, so you can choose a version that feels like yours rather than like a phone wallpaper.
Colours between orange and pink
Walk from orange to pink and you pass through coral, salmon and watermelon, all of them saturated and warm. Lighten the walk and you get apricot, peach and blush. Darken it and you get rust, terracotta and raspberry. Most good orange and pink gradients use three stops from the same lightness band rather than a jump from pale peach to hot pink.
Soft peach and blush gradients
Pale orange and pink together feel like skin, linen and early morning light. That makes them a natural fit for skincare, bridal, wellness and bakeries. They also photograph well behind products, because they flatter warm tones. Set type in a deep rust rather than black; it keeps the warmth.
Coral, grapefruit and watermelon gradients
Saturated orange and pink is pure summer: grapefruit juice, beach towels, festival posters. These are loud enough to stop a scroll and friendly enough not to feel aggressive. Keep them away from very small type, and give them a calm corner.
Earthy terracotta and dusty rose
Mute both colours and the pair becomes calm and grounded, the palette of clay pots, dried flowers and sun baked walls. This is the most underused version and often the most elegant. It sits comfortably with olive, sand and cream, and works well alongside earth tone colour palettes.
Dark ember and raspberry gradients
Start from a deep brown or plum ground and let orange and pink glow out of it, and the pair stops being cheerful and becomes intimate: candlelight, embers, a cocktail menu. These carry light text easily, which makes them practical for event posters and evening offers.
How to avoid the sunset cliché
Orange to pink on a 45 degree diagonal is everywhere, from phone wallpapers to app icons, so it reads as a default. If you want the warmth without the preset, change at least one of the things below. Sunset gradients covers the literal version if that is what you want.
Preset
- Hot orange to hot pink, two stops
- Straight 45 degree diagonal
- Colour spread evenly across the frame
- White text over the brightest part
Considered
- A ground first: cream, clay or ember
- Light from one corner with a radial gradient
- Uneven stops, with one colour leading
- Rust ink on soft versions, cream ink on dark ones
Text colours on orange and pink
Orange is one of the lightest saturated colours, so white text on tangerine or apricot is weaker than it looks. Deep rust or burnt umber is the reliable ink on the soft and bright versions; cream suits the dark ones. Ratios use the WCAG formula, where 4.5:1 is the usual minimum for body text and colour contrast explains the rest.
#fb923cText
Contrast
Verdict
#f97316Text
Contrast
Verdict
#fed7aaText
#431407Contrast
Verdict
#fb7185Text
#431407Contrast
Verdict
#c2410cText
Contrast
Verdict
#be185dText
Contrast
Verdict
A bar promotion on ember to raspberry, with cream type on the dark side.
A skincare post on peach and blush with burnt umber ink.
Orange and pink gradient CSS
.warm-hero {
background-color: #fff7ed;
background-image:
radial-gradient(circle at 85% 20%, #fb7185 0%, transparent 45%),
radial-gradient(circle at 10% 90%, #fdba74 0%, transparent 50%),
linear-gradient(160deg, #fff7ed 0%, #fed7aa 100%);
color: #431407;
}Layering two soft radial lights over a pale base gives a far more natural warmth than a single diagonal. If you want warmth that is unmistakably yours, Gradiently's Market lets you search Marks by colour words such as "coral" or "peach". Each Mark is one of a kind with exactly one owner at a time, and once you claim it only you can export with it.
Questions people ask
What is a good orange and pink gradient code?
A bright classic is linear-gradient(135deg, #f97316 0%, #fb7185 50%, #ec4899 100%). For a softer version, try linear-gradient(135deg, #fff7ed 0%, #fed7aa 50%, #fecdd3 100%).
Do orange and pink go together?
Yes. They are neighbours on the colour wheel with coral between them, so they blend cleanly and feel warm.
What colour text goes on an orange and pink gradient?
A deep rust or burnt umber such as #431407 reads well on soft and bright versions. White only works on the deeper stops, like #c2410c or #be185d.
How do I make an orange and pink gradient look less like a sunset?
Start from a ground such as cream, clay or a dark ember, light it from one corner instead of a diagonal, and let one colour lead.
What colour is between orange and pink?
Coral, around #fb7185, with salmon and watermelon as close relatives.
Written by Gradiently
The team behind Gradiently, a design tool built around Marks: living gradients that make everything you design look like yours.
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